Team regarding Fictional Disciplines
Louisville Literary Arts
Nonfiction can fall within the broad category of literature as “any collection of written work”, but some works fall within the narrower definition “by virtue of the excellence of their writing, their originality and their general aesthetic and artistic merits”. Poetry has traditionally been distinguished from prose by its greater use of the aesthetic qualities of language, including musical devices such as assonance, alliteration, rhyme, and rhythm, and by being set in lines and verses rather than paragraphs, and more recently its use of other typographical elements. This distinction is complicated by various hybrid forms such as sound poetry, concrete poetry and prose poem, and more generally by the fact that prose possesses rhythm. Abram Lipsky refers to it as an “open secret” that “prose is not distinguished from poetry by lack of rhythm”. The history of modern newspaper publishing started in Germany in 1609, with publishing of magazines following in 1663. The earliest poetry is believed to have been recited or sung, employed as a way of remembering history, genealogy, and law.
Ancient Chinese literature had a heavy emphasis on historiography, with often very detailed court records. An exemplary piece of narrative history of ancient China was the Zuo Zhuan, which was compiled no later than 389 BC, and attributed to the blind 5th-century BC historian Zuo Qiuming. All ancient Greek literature was to some degree oral in nature, and the earliest literature was completely so. Homer’s epic poetry, states Michael Gagarin, was largely composed, performed and transmitted orally. As folklores and legends were performed in front of distant audiences, the singers would substitute the names in the stories with local characters or rulers to give the stories a local flavor and thus connect with the audience, but making the historicity embedded in the oral tradition as unreliable.
The lack of surviving texts about the Greek and Roman religious traditions have led scholars to presume that these were ritualistic and transmitted as oral traditions, but some scholars disagree that the complex rituals in the ancient Greek and Roman civilizations were an exclusive product of an oral tradition. We offer all people of good will the opportunity to explore, learn, and grow with like-minded writers, students, and appreciators of written words that honor the Trinitarian God. They reminds us that there is beauty and joy in language, that others have insights worth paying attention to, that in our struggles we are not alone.
Le Guin is credited with championing the literary and artistic value of science fiction and fantasy, as well as encouraging more women to write and read fiction in both genres. At the same time, she inspired many readers and writers of color by placing nonwhite characters at the center of her work and by tackling issues of racial injustice and colonialism in nuanced ways. Through lifelong interests in mythology, anthropology, feminism and Taoism, as well as through her wide-ranging translations, essays, poetry and nonfiction, Le Guin demonstrated that no writer needed to be limited by the boundaries of any genre. With its historically rich and culturally diverse curriculum, Literary Arts and Studies provides students with a broad and synthetic understanding of a particular period, genre, movement or issue in literary study. It reinforces the development of keen critical thinking and reading skills, an effective and individual writing voice, and a deep and nuanced understanding of the role of literature in a range of different cultures and historical periods.
Room 201 is Twelve Literary Arts’ series of youth residencies provided to public, private, and charter schools, libraries, and other educational institutions across Northeast Ohio. The workshops are led by experienced teaching artists and are designed to develop students in the world of literary arts at varying writing levels. The Literary Arts Department offers an inventive and intensive exploration of the art and practice of creative writing. Our program is a comprehensive, dynamic, and innovative introduction to literary genres, styles, and techniques driven by a faculty who are both dedicated teachers and practicing, published writers. Rigorous, craft-oriented writing workshops—with literature and literary analysis folded into the curriculum—comprise the core of our program. Through InsideOut’s creative writing programs, students learn to think broadly, create bravely, and share their voices with the wider world.